
Q. I really want to model. Please tell me honestly if my
height really matters - Kate Moss is apparently 5'6"?
Height matters, yes and no. It matters for high fashion
shows and because models need to be similar to each other
and height showcases clothes better. In other areas of
modelling it matters in that the clothes need to fit well
and being short or extra tall means that hemlines and cuffs
will not reach the length the designer chose. For
advertising and TV commercials it matters far less than
other features such as a great smile or acting ability. You
can lie about your height but agencies will often measure
you and one can always tell if you are shorter just from
looking at you even if you are wearing heels.
Sometimes height is a deciding factor, if an agency isn’t
sure about taking you on, and you are short, that can be the
deal breaker. I have seen a few models who did very well and
were short, but they also had excellent portfolios, were
beautiful, had an excellent attitude and did body work. I
wouldn’t let height completely discourage you, but
definitely it is an issue to look at.
If you are short you can still easily work in film, TV or
commercials, as a character model, swimsuit/lingerie model,
or parts model, etc. These would be easier avenues than
trying to become a high fashion runway model.
Q. I was told that I don’t have what "it takes" to be a
model physically. Can you help me find a career that can be
similar without the physical demands?
TV commercials and advertising often calls for models to not
be very "modelly" looking. Find an agency that represents
these types of looks. These types of agencies often browse
New Faces looking for new talent to represent. If you enjoy
fashion; there are many other fields within the industry.
You can work in public relations, as a fashion designer,
agent, coordinator, art-director, makeup or stylist. These
are just a few, they necessarily don’t require formal
training but strong connections, sense of hustle and good
communication are important.
Q. You have mentioned that one needs the right "attitude"
to be a model, what exactly do you mean? Why is it so
important, if we hear of supermodels who are difficult to
work with?
Attitude can be everything! Part of what makes one
attractive is the feeling you give others. People want to be
around polite and positive people. This is true in any
field.
A model needs to be quick to pick up direction and smart to
anticipate how the mood and feel of the shoot or show needs
to be. They need to be educated (reading and following
magazine and fashion trends) to be aware of what looks and
ideas are current. They need to be intuitive to understand
the direction and what the client is looking for. They
should be confident to ask questions when they don’t know
what the client needs. Showing up on time, ready to go is
important. Friendliness to everyone on set, including the
other models is also a good thing.
These points make for a good attitude which will help get
repeat bookings, even if sometimes your look is not perfect
for what they are looking for. Sometimes certain people get
away with a bad attitude because they are just are
irreplaceable. Even then, I believe they likely work less
than they could!

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It’s a common misconception that naturally beautiful models
take naturally beautiful photographs. The truth is—without
modelling poses and modelling tips, perfect photographs are
harder than you think.
If you are a professional model, a photographer will most
likely guide you through a variety of model poses throughout
the photo shoot. But if you are an inspiring model and are
still working your way up to the top—you may have to control
your poses to ensure great headshots and sample modelling
photographs.
Live show models, promo models, photographic models, and
runway models all rely on professional model poses to
succeed. Whether you aspire to appear in print magazines or
fashion shows and Hollywood movies; if you want to be a
model, pay special attention to this insider guide to
modelling poses.
Breathe
Although sometimes concentration enhances a good photograph,
obvious concentration can distract and often ruin a good
photograph as well. Do not hold your breath for a modelling
pose; always remember to breathe and appear at ease.
Posture
Bad posture is an unrecognized flaw in many people. However,
for models, posture is a harmful flaw. Always remember to
keep your back straight and your shoulders up. Slouching
affects the mood of the photograph and enlarges the
appearances of your stomach. In addition to your back and
shoulders, always remember to flex your stomach muscles.
Despite your weight or state of shape, your abdomen will
appear more toned if you flex.
Limbs
Symmetry is officially out in the modelling world. When
posing, make sure to differentiate your arms and legs with
asymmetrical poses. If you have one arm long and straight by
your side, make sure the other arm is bent. Whether a big or
small angle, the bend will make the modelling pose look more
real, less artificial. Continue the asymmetry to your legs.
If one leg is locked straight, give the other leg a casual
bend.
Camera
Although the camera is the ultimate focal point of a
modelling photo shoot, great models do not look directly
into the camera. To enhance the quality of your photo shoot,
look away from the camera with a mix of head and eye poses.
Looking off to the right or left side, or tiling your neck
to either side can help you avoid direct eye contact with
the camera. In many cases, your head and neck can remain
stationary in your modelling pose—and your eyes can do all
the work. Head and eye positions, coupled with personable
facial expressions make for great model poses.
Sitting Poses
If you are sitting down during your photo shoot—don’t think
it’s ok to slack off. In fact, sitting photo shoots require
a lot of extra work. If you are sitting down or reclining,
it’s important to put your eight on the back of one thigh,
rather than distributing your weight equally on both thighs.
If you roll one hip up from the ground or surface, shifting
your weight will be simple. This pose results in a slimming
effect that you don’t want to miss out on.
Cleavage
To make sure your best assets shine, there are a few basic
guidelines to follow. Based on two distinct poses, a forward
lean and a backward lean, any model with any breast size can
maximize cleavage. When leaning forward, either bring your
arms together at your waist, keep your arms straight at the
elbows and clasp your hands together below your waist, or
simply cross your arms. When leaning backward, raise your
arms about your shoulders and head, keep your arms apart,
and always slouch for the best cleavage results.

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Modelling Tips, How To Become A
Model
Do I want to be a model?
Despite the glamour and hype you have seen about the
modelling profession, it's hard work. It's boring
(sometimes) and it can be tedious. Prepared to be constantly
rejected, get ready for some major ups and downs. Modelling
is a lifestyle, not an 9-5 job. Not all jobs pay well.
Unless you are seriously committed about modelling, willing
to work at it on your own time, live a healthy life style,
etc., you will not succeed as a model.
You have to understand that there are lots of other people
who want to be models, it's a very competitive business. Are
you willing to put the time and energy into competing with
pretty much everyone you meet, 24 hrs a day?
Where do I start?
You'll need a modelling portfolio, I'm sure you'll all know
what one of those is but for those that don't it's basically
a selection of pictures showing yourself in different
outfits and poses. The standard size for the photos is 9 by
12 inches and you'll need around 10 - 12 photos. Make sure
you focus on quality rather than quantity, remember, you're
only as good as your worst photo. Make sure your portfolio
has a selection of both head shots and full body shots. Make
sure you get a variety of different looks such as swimwear,
catalogue and lingerie, you get the idea, also get a couple
of black and white shots in there. Avoid using pictures of
the same shot.
It can be very advantageous to have photographs from
different photographers in a portfolio. This will show the
versatility in terms of styles and it will prove that a
model can work with a variety of different people.
Obviously, the cost of hiring different photographers for a
portfolio is prohibitive, but there are many excellent
photographers out there who will do prints for time - and of
course many more bad ones. If you research what's on offer
well, it can be an excellent alternative.
Before going ahead with a photo session ask to look at the
photographers portfolio to see if you like his style of
photography. No doubt if you go to the photographers studio
to book the appointment he will have examples of his work on
display anyway. If you've never done modelling before this
will also be an excellent practice run for you. Avoid
photographers wanting to take nude shots, if possible take a
friend with you to the shoot.
The Comp Card
You'll definitely need one of these. A comp card is what
your modelling agency will use to market you.
What is a comp card? A composite card (sometimes called a
ZED) is a model's business card. In most cases, your comp
card is your one and only opportunity to make a good first
impression. With that in mind it is important that the
images on your card are your absolute best and nothing less.
Additionally, the printing and reproduction quality is
extremely important. Poor reproduction makes your images
look bad and as a result - makes you look bad. Besides a
great head-shot, the comp card will have other photos that
show your experience, your versatility, range, and what type
of work you are seeking. For best results all of the photos
should be the highest quality you can obtain at your stage
in your modelling career. Make sure the you have them
printed on rigid card that will withstand a bit of wear and
tear.
Be careful! Do NOT have a modelling agency print your comp
card. If you do - they will put their logo on it. You are
going to want to sign with as many agencies as possible if
you are serious about getting work. Comp card printing can
get expensive - print them yourself and give each agency
copies - they have stickers that they can put on them with
their contact information and you will save money.
The Agency
An agency or co-ordinator should represent models. The model
must have a portfolio, and comp cards. The
agency/coordinator provides you with work (That is their
main purpose. It is safe to say that they work for you!)
They make a commission on your fee.
GOLDEN RULE - Don't go with an agency who asks for money up
front! You'll probably never hear from them again and I
certainly doubt you'll ever get any work from them.
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